Alla GUERCINO s Oljemålningar
Vilja ID Bild  Oljemålningar Från A to Z       Information 
7233 A Donor Presented to the Virgin lkhi  A Donor Presented to the Virgin lkhi   1616 Oil on canvas, 309 x 192 cm Mus??es Royaux des Beaux-Arts, Brussels
7285 Abraham Casting Out Hagar and Ishmael sg  Abraham Casting Out Hagar and Ishmael sg   1657 Oil on canvas, 115 x 154 cm Pinacoteca di Brera, Milan
7286 Allegory of Painting and Sculpture sdg  Allegory of Painting and Sculpture sdg   1637 Oil on canvas, 114 x 139 cm Galleria Nazionale d'Arte Antica, Rome
85021 An allegory  An allegory   Date 17th century Medium Oil on canvas Dimensions 49 x 96.5 cm (19.3 x 38 in) cjr
88789 An allegory  An allegory   17th century Medium Oil on canvas Dimensions 49 x 96.5 cm (19.3 x 38 in) cyf
97362 An allegory  An allegory   17th century Medium oil on canvas Dimensions 49 X 96.5 cm cyf
7229 Angels Weeping over the Dead Christ hj  Angels Weeping over the Dead Christ hj   1618 Oil on copper, 36 x 44 cm National Gallery, London
29946 Apollo and Marsyas  Apollo and Marsyas   mk67 Oil on canvas 73 3/8x80 11/16in Pitti,Palatine Gallery
63969 Apparition of Christ to the Virgin  Apparition of Christ to the Virgin   1628-30 Oil on canvas Pinacoteca Civica, Cento , Artist: GUERCINO , Apparition of Christ to the Virgin , 1601-1650 , Italian , painting , religious
71349 assumption of the Virgin  assumption of the Virgin   o/c, 116,6 x 92,2 cm, Ackland Art Museum
82777 Astrologia  Astrologia   1650-1653 cyf
7232 Aurora ihi  Aurora ihi   1621-23 Fresco Casino Ludovisi, Rome
7231 Aurora ig  Aurora ig   1621 Fresco Casino Ludovisi, Rome
94812 Burial of St Petronilla  Burial of St Petronilla   1623 Type Oil on canvas Dimensions 720 cm x 423 cm cyf
29945 Concert Champetre  Concert Champetre   mk67 Oil on copper 13 3/8x18 1/8in Uffizi,Gallery
51122 Doubting Thomas  Doubting Thomas   Oil on canvas Residenzgalerie
7234 Ermina Finds the Wounded Tancred jg  Ermina Finds the Wounded Tancred jg   1618-19 Oil on canvas, 145,5 x 187,5 cm Galleria Doria-Pamphili, Rome
30549 Et in Arcadia Ego  Et in Arcadia Ego   mk68 Oil on canvas 32 1/4x25 1/4" Rome,National Gallery of Art of the Past 1618-1622 Italy
7230 Et in Arcadia Ego kh  Et in Arcadia Ego kh   1618-22 Oil on canvas, 82 x 91 cm Galleria Nazionale d'Arte Antica, Rome
20433 Hersilia Separating Romulus from Tatius (mk05)  Hersilia Separating Romulus from Tatius (mk05)   ca 1645 Canvas,99 1/2 x 105''(253 x 267 cm)Hersilia,the wife of Romulus and the only married woman carried off in the Roman rape of the Sabines,seeks to separate Romulus from the king of the Sabines.Seized in the Revolution from the collection of the Duc de Penthievre at Paris.INV85
73293 Jacob, Ephraim, and Manasseh, painting by Guercino  Jacob, Ephraim, and Manasseh, painting by Guercino   Jacob, Ephraim, and Manasseh, painting by Guercino cjr
53792 Jesus and aktenskapsbryterskan  Jesus and aktenskapsbryterskan   mk234 about 1621 98x122cm
51117 Magdalen and Two Angels  Magdalen and Two Angels   1622 Oil on canvas Pinacoteca
7249 Martyrdom of St Catherine sdg  Martyrdom of St Catherine sdg   1653 Oil on canvas, 222,5 x 159 cm The Hermitage, St. Petersburg
79190 Mary Magdalene  Mary Magdalene   circa 1624-1625 Medium Oil on canvas cyf
79946 Mary Magdalene  Mary Magdalene   circa 1624-1625 Medium Oil on canvas Current location Blanton Museum of Art cyf
51116 Mary Magdalene in Penitence  Mary Magdalene in Penitence   Oil on canvas, 121 x 102 cm
86268 Persian Sibyl  Persian Sibyl   Date 1647(1647) Medium Oil on canvas cjr
78122 Personification of Astrology  Personification of Astrology   circa 1650-1655 Oil on canvas 80.6 cm x 65.4 cm cjr
81458 Personification of Astrology  Personification of Astrology   Date circa 1650-1655 Medium Oil on canvas Dimensions 80.6 cm x 65.4 cm cyf
84339 Portrait de lartiste tenant une palette  Portrait de lartiste tenant une palette   1635 Medium Oil on canvas Dimensions 77 x 62 cm (30.3 x 24.4 in) cyf
96142 Portrait of Paul Gregory XV  Portrait of Paul Gregory XV   between 1622(1622) and 1623(1623) Medium oil on canvas cyf
56050 portrait of shah jahan  portrait of shah jahan   mk247 c.1619,watercolor and gold on paper,8x5 in ,21x14 cm,victoria and albert museum,london,uk
56051 raising of lazarus  raising of lazarus   mk247 c.1619,oil on canvas,78.375x91.75 in ,199x233 cm,louvre,paris,france
7237 Raising of Lazarus hjf  Raising of Lazarus hjf   c. 1619 Oil on canvas, 199 x 233 cm Mus??e du Louvre, Paris
32611 Recreation by our Gallery  Recreation by our Gallery   mk79
56049 return of the prodigal son  return of the prodigal son   mk247 c.1619,oil on canvas,42x56 in,107x143.5 cm kunsthistorisches museum,vienna,austria
74233 Return of the Prodigal Son  Return of the Prodigal Son   Date 1619 Medium Oil on canvas Dimensions Deutsch: 107 x 143,5 cm Rahmenmaße: 129 x 166 x 11 cm cyf
7236 Return of the Prodigal Son klgh  Return of the Prodigal Son klgh   1619 Oil on canvas, 106,5 x 143,5 cm Kunsthistorisches Museum, Vienna
43090 Saint Gregory the Great with Saints Ignatius Loyola and Francis Xavier  Saint Gregory the Great with Saints Ignatius Loyola and Francis Xavier   mk170 1625-26 Oil on canvas 296x211cm
84980 Samson and Delilah  Samson and Delilah   oil on canvas. Access number 316. Date 1654(1654) cyf
45629 Samson brings the parents the Honiguabe  Samson brings the parents the Honiguabe   mk186 1657 San Francisco
70582 Samson Captured by the Philistines  Samson Captured by the Philistines   Medium Oil on canvas Dimensions Expression error: Missing operand for *191.1 ?? 236.9 cm
7241 Samson Captured by the Philistines uig  Samson Captured by the Philistines uig   1619 Oil on canvas Metropolitan Museum of Art, New York
63828 Saul Attacking David  Saul Attacking David   1646 Oil on canvas, 147 x 220 cm Galleria Nazionale d'Arte Antica, Rome This painting was executed along with a pendant, now in Los Angeles, that depicts Samson showing his hair - secret of his superhuman strength - to Delilah. Guercino painted the pair of canvases in 1646 for the Cardinal Falconieri, who was at the time serving as Papal Legate to Bologna. The two paintings were separated at the end of the eighteenth century. Guercino's increasing tendency towards classicism began in the 1630's when the painter fell under the influence of the late work of Guido Reni. Like its pendant, the Saul Attacking David is a splendid example of his late style, a period in which Guercino brought his investigations into classicising style to their fullest conclusion. Despite the dramatic quality of the narrative, the composition of the painting is extremely balanced: everything centres on the monumentality of the two figures, contrasting protagonists of the scene. Almost frozen in their action, they are displayed entirely in the foreground, as if in a relief sculpture. The chromatic range, light and highly refined, is rather far from the richly impasted mode of the artist's youth, as is the way in which the shadows ably underline the plastic quality of the two personages.Artist:GUERCINO Title: Saul Attacking David Painted in 1601-1650 , Italian - - painting : religious
95893 St Augustine  St Augustine   first half of 17th century Medium oil on canvas cyf
7248 St Augustine sdg  St Augustine sdg   Oil on canvas S. Pietro in Vincoli, Rome
7244 St Augustine Washing the Feet of the Redeemer kg  St Augustine Washing the Feet of the Redeemer kg   Oil on canvas S. Agostino in Campo Marzio, Rome
7246 St Augustine, St John the Baptist and St Paul the Hermit hf  St Augustine, St John the Baptist and St Paul the Hermit hf   Oil on canvas S. Agostino in Campo Marzio, Rome
7255 St Francis with an Angel Playing Violin sdg  St Francis with an Angel Playing Violin sdg   Oil on canvas, 162 x 127 cm Gemäldegalerie, Dresden
95952 St Gregory the Great with Sts Ignatius and Francis Xavier  St Gregory the Great with Sts Ignatius and Francis Xavier   circa 1626(1626) Medium oil on canvas cyf
84355 St John the Baptist  St John the Baptist   ca. 1645(1645) Medium Oil on canvas cyf
51121 St Luke Displaying a Painting of the Virgin  St Luke Displaying a Painting of the Virgin   1652-53 Oil on canvas Nelson-Atkins Museum of Art, Kansas City
7256 St Marguerite sdg  St Marguerite sdg   Oil on canvas S. Pietro in Vincoli, Rome
63827 St Romuald  St Romuald   1640-41 Oil on canvas, 292 x 184 cm Pinacoteca Comunale, Ravenna In his last period Guercino proceeded to a marked classicism by eliminating the 'chiaroscuro' effects of the earlier years. Romuald (c. 952-1027) was a Benedictine monk who entered the Order as an act of atonement after his father had murdered a relative. Finding the monastic life of his day in need of reform he founded communities that were vowed to solitude and silence, of which the best known was the monastery of Camaldoli in the Appenines near Arezzo. Romuald is old and white-bearded and is dressed in the habit of the Camaldolese Order, a striking loose-flowing white garment with wide sleeves.Artist:GUERCINO Title: St Romuald Painted in 1601-1650 , Italian - - painting : religious
7243 St William of Aquitaine Receiving the Cowln ngb  St William of Aquitaine Receiving the Cowln ngb   1620 Oil on canvas Pinacoteca Nazionale, Bologna
29948 St.Peter Revives Tabitha  St.Peter Revives Tabitha   mk67 Oil on canvas 52 5/16x62 13/16in Pitti,Palatine Gallery
29947 St.Peter Revives Tbitha  St.Peter Revives Tbitha   mk67 Oil on canvas 52 5/16x62 13/16in Pitti,Palatine Gallery
28650 Susanna and the Elders  Susanna and the Elders   mk61 1617 Oil on canvas 175x207cm
7242 Susanna and the Elders kyh  Susanna and the Elders kyh   1617 Oil on canvas, 175 x 207 cm Museo del Prado, Madrid
43092 The Angel Appearing to Hagar and Ishmael  The Angel Appearing to Hagar and Ishmael   mk170 1652-1653 Oil on canvas 193x229cm
43091 The Cumaean Sibyl with a Putto  The Cumaean Sibyl with a Putto   mk170 1651 Oil on canvas 222x168.5cm
43089 The Dead Christ Mourned by two Angels  The Dead Christ Mourned by two Angels   mk170 1617-1618 Oil on copper 36.8x44.4cm
30575 The Dying Cleopatra  The Dying Cleopatra   mk68 Oil on canvas Genoa c.1648 Italy
7251 The Entombment of Christ sdg  The Entombment of Christ sdg   1656 Oil on canvas Art Institute of Chicago, Chicago
7253 The Flagellation of Christ dg  The Flagellation of Christ dg   1657 Oil on canvas 250 x 185 cm Galleria Nazionale d'Arte Antica, Rome
7235 The Martyrdom of St Peter jg  The Martyrdom of St Peter jg   1618-19 Oil on canvas, 320 x 193 cm Galleria Estense, Modena
7240 The Resurrected Christ Appears to the Virgin hf  The Resurrected Christ Appears to the Virgin hf   1629 Oil on canvas, 260 x 179 cm Pinacoteca Comunale, Cento
33583 The Return of the Prodigal Son  The Return of the Prodigal Son   mk86 1619 Oil on canvas 106.5x143.5cm Vienna,Kunsthistorisches Museum
39620 The return of the prodigal son  The return of the prodigal son   mk150 c.1619 Canvas 107x143.5cm
55759 The Return of the Prodigal son  The Return of the Prodigal son   mk244 106.5x143.5cm Oil on canvas
21537 The Return of the Prodigal Son ( mk08)  The Return of the Prodigal Son ( mk08)   1619 Oil on canvas, 106.5x143.5cm Vienna,Kunsthistorisches Museum
51124 Venus, Mars and Cupid  Venus, Mars and Cupid   1633 Oil on canvas Pinacoteca Estense
42700 Woman that self undresses  Woman that self undresses   MK169 ca. 1620 Plants ink on paier 25.6x20.7cm British Museum. Rewarded
GUERCINO
Italian Baroque Era Painter, 1591-1666 best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings. Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggios first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara. The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Carracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime. He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. His two years (1621-23) spent in Rome were very productive. From this stay date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of Pope Gregory (now in the Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini). The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657.



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